An new initialism emerged several months into Israel’s bombardment of Gaza. Referred to as WCNSF, it stands for “Injured child with no living relatives”. This designation is unique to Gaza, per insights from health professionals such as child health specialists. Normally, it is unusual for physicians to care for a child who has been bereaved of their whole family. However, there has been absolutely nothing ordinary concerning the genocide in Gaza, where entire family lineages have been eradicated and the number of young amputees surpasses that of any other region in the world. Nothing ordinary in numerous doctors returning from a landscape of rubble with reports of children being intentionally shot at.
Gaza remains hell on earth. Vital medicines and equipment are not getting in those in need, and international watchdogs have stated that violations are still being committed. Authorities has denied these claims, consistent with how it denies all charges it is implicated in. Meanwhile, while young survivors are now enduring frigid conditions in temporary shelters, there is a piece of uplifting information: nothing is going to stop the Eurovision from continuing with its professed goal of “togetherness and artistic sharing.” The contest will continue to offer a blood-red carpet for Israel, despite the fact that at least four European countries have now withdrawn in objection. And this, we are told, is what global togetherness manifests as.
Eurovision, of course prohibited Russia from participating in 2022 over the “serious conflict in Ukraine”. But the crisis in Gaza appears to be completely different.
Forget the fact that Israel was accused of irregular participation methods last year in what appears to have been an bid to politicise Eurovision. Forget the fact that a toddler was reportedly killed in Gaza on a recent Sunday. Forget the fact that attacks by settlers and systematic expulsions in the West Bank have surged. Disregard the condition that global media are still denied freely reporting in Gaza. All of this, apparently, should be permitted to obstruct of Eurovision’s cherished spirit of unity.
The contest marks seven decades next year – roughly two times the projected longevity of a person in Gaza at present. The show may go on, but it will find it impossible to reclaim the camp joy it historically embodied. A competition that initially championed harmony has devolved into a cynical way to sanitize military aggression.
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